DEPARTMENT OF COMPOSITION

Since its establishment in the Tokyo Music School, the predecessor of the Faculty of Music at Tokyo University of the Arts, the Department of Composition has explored and provided instruction in methods and techniques associated with musical composition in modern Western music. Since its migration to the new university in 1949, the Department has also engaged in educational and research activities involving the study of traditional European music theory and the synthesis of new creative forms in the postwar period, serving as a center of excellence for musical creation in Japan.

This department consists of two courses: composition and écriture. Composition practice involves practical training in compositional analysis and the traditional Western musical techniques of harmony, fugue, and orchestration. Other required subjects include solfége, foreign languages, and general education. Electives include research of music grammar, contemporary composition techniques, and computer music.

>> Department of Composition Official website

The curriculum of the Department of Composition comprises Practical Composition Skills I subject in the undergraduate program that consists of submissions in the primary instrumental music genres within modern European music such as instrumental duets, chamber music, orchestral music, and?vocal music (in Japanese), including university concerts and graduation works. At the same time, Composition Practical Skills II that includes practical training in harmony, counterpoint, and fugue is also studied. Students acquire necessary knowledge for the creation of music such as a basic knowledge of computer music, orchestral music, and an analysis of musical styles ranging from historical styles of writing music to contemporary musical techniques.
The Master’s Program implements education that emphasizes on fostering a more individualized creative attitude among students based on contemporary perspectives. Furthermore, in the Doctoral Program students receive research guidance about creating works as well as about the theoretical research on modern music from the teaching staff of the Department of Composition and those in the concerned research field.
Furthermore, public lectures comprising demonstration of creative works by students and lectures by international representative composers or bands of modern music have been established for students of the Department of Composition.

With respect to conferment of an undergraduate degree by the Faculty, a Bachelor’s degree is awarded once a performance review has been conducted of the creative work submitted in the abovementioned major genres (instrumental duets, vocal music) and when in the fourth year, graduation has been certified after the music review committee of the department has conducted a review of the freely composed creative work of the student at the Sogakudo Concert Hall. Learning achievements are publicly presented following the performance of outstanding creative compositions, with chamber music works performed at the Old Sogakudo Concert Hall, and performance of orchestra works and graduation works by the Geidai Philharmonia Orchestra held at the Sogakudo Concert Hall.
In the Master’s Program, acquisition and research related to the diverse modern composition styles and techniques is conducted and the Master’s degree is awarded once the completed creative work has been reviewed.
In the doctoral program, students conduct research related to the relationship between their own creati